New AI-driven DaVinci Neural Engine speeds up repetitive tasks Like FCPX itself, it divides opinion, but it is provided in parallel to the edit page, so it is still possible to work in the traditional way, or to switch between workflows as jobs demand. On Blackmagic’s forum, users have compared the cut page to the changes Apple made to Final Cut Pro in Final Cut Pro X. Both can be used for trimming, minimising the need to zoom in and out. The latter provides parallel timelines showing an entire program and the current work area. The former presents all of the clips in the media bin as a single, continuously scrubbable ‘tape’, making it quicker to locate the relevant sections of footage. It also introduces what Blackmagic describes as “revolutionary new tools”, including a source tape mode and dual timeline for trimming.
Intended for editors working on projects with tight deadlines, it provides a more “streamlined” alternative to the existing edit page, with integrated colour, audio and titling capabilities. New FCPX-like ‘cut page’ streamlines editing jobsĪlthough it isn’t necessarily the one that will most appeal to CG Channel readers, the headline feature in DaVinci Resolve 16 is the new cut page. The software was released in public beta at this week’s NAB 2019 show, alongside Fusion 16 Studio, the latest version of Blackmagic’s standalone compositing software. The update adds a ‘cut page’ to the software’s UI for fast-turnaround editing, new ResolveFX effects plugins, and the DaVinci Neural Engine: an AI-driven toolset for automating repetitive tasks. Scroll down for news of the 16.0 release and the new 16.1 beta.īlackmagic Design has unveiled DaVinci Resolve 16, the latest update to its colour grading, editing and post-production software, and the DaVinci Resolve Editor Keyboard, a dedicated $995 control device.
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